Recently, I sent a chapter to my critique group from a new MS I’m working on, an urban fantasy. I knew it was rough, and I needed some outside opinions. I got a lot of good advice from a couple of critique partners, but I found myself automatically rejecting the advice I received from the […]
My fourth Konigsburg book, Long Time Gone, releases next Tuesday (contests and prizes will be forthcoming). It’s Erik Toleffson’s story, but it’s also Morgan Barrett’s story. Morgan is manager of a winery outside Konigsburg. As I’ve explained elsewhere, Texas is a big wine-producing state, and the Hill Country is one of the major wine regions. […]
In a recent film review, one critic pointed out that a particular movie had all the standard rom com elements, including the fact that the hero and heroine spent the first third of the movie bickering. That sort of startled me, because it’s absolutely true. Think about it—just about every romantic comedy of the last […]
Romance authors have it easy, at least in one sense. Even if we do a series, we rarely have the same hero or heroine more than once. The characters who hook up in book one may drop in to advise the characters in book two (as Cal and Docia do in Wedding Bell Blues), but […]
Recently, I’ve been reading a series written by a Prominent Romance Writer in her salad days. It concerns a family of sisters and the men who love them, and it’s pretty enjoyable, except for one thing. All the sisters seem to loathe the men they end up with, at least initially. And they show this […]
As I’ve said time and again, I love critique groups. They provide a writer with that most valuable of commodities, feedback. Not all of the feedback is good, mind you, but even lousy feedback can tell you something. I can still remember when I started critiquing, though, and I remember the biggest problem I had—what […]
If you’ve ever entered a writing contest, you’ve probably seen remnants of the great font controversy. Some contests nowadays allow writers the choice of Times or Courier, but I’d guess the majority still go with Courier. And writers who choose to use Times run the risk of encountering judges like the ones I ran into […]
When I was just starting out in fiction writing, I took a short story workshop at a venerable San Antonio writers cooperative. I wrote a story I thought was okay and brought it to class for critiquing. Most of my classmates liked it, and some liked it a lot. One man, though, sat through the […]
You all remember Basil Exposition in Austin Powers—the stuffy intelligence chief played by Michael York whose sole purpose was to provide background information for the plot, i.e., exposition. I thought about ol’ Basil today as I was reading one of my favorite suspense writers because it seemed that he’d wandered into the book while I […]
I’m a big believer in critique groups, as I’ve said many times and in many posts. Most of us have trouble looking at our writing objectively. Critique partners can give you an outsider’s take on what you’re doing (or not doing). So nothing I say here should be taken as an attack on critiquing in […]
